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Witch craze : terror and fantasy in baroque Germany / Lyndal The witch craze was weird. It's a historian's worst nightmare / ideal case study (depending on your point of view) because it goes to remarkable lengths to evade any kind of cohesive or coherent explanation. It targeted men and women, but in drastically different proportions from country to country.
Lyndal Roper. Witch Craze: Terror and Fantasy in Baroque
In its finest moments, Lyndal Roper's Witch Craze is a disturbing, brilliant evocation of early modern mindsets in the time of the witch hunts. Much like Stuart Clark in Thinking with Demons (), Roper aims to render comprehensible to modern readers a mindset in which magic and witchcraft were an essential part of the overall conception of. Witch craze : terror and fantasy in baroque Germany The women's stories were all remarkably similar, which suggests, says Lyndal Roper, that a narrative of witchcraft had been unconsciously devised by all the interested parties - secular.
Lyndal Roper - Wikipedia Witch Craze: Terror and Fantasy in Baroque Germany. Witch Craze explores the role of unconscious fantasy in history by taking four case studies of witch hunting in southern Germany, the region with the highest number of executions of people accused as witches.
Witch Craze – Terror and Fantasy in Baraque Germany: Terror Witch Craze by Lyndal Roper -- Chapters 1 - 5 Prologue: The Witch at the Smithy The prologue begins with the story of Ursula Gotz, and old woman who had lived at the smithy all her life. She was accused of witchcraft and hanged in Many of those accused as witches were elderly women.
Witch Craze: Terror and Fantasy in Baroque Germany - Lyndal “Womanhood” and “The Witch” develop Roper's own theses: reproduction and infantile fixation on the mother as core anxieties; menopausal women as stereotypical witches; shifting anxiety after , from fertility and maternity to sexuality and childhood, paralleling the decline in persecution.
Witch Craze: Terror and Fantasy in Baroque Germany: Roper With Witch Craze, Lyndal Roper takes us back to the geographic and cultural heartland of the witch-hunts, southern Germany, which probably accounted for more than a third of the executions for witchcraft in all of Europe. Here the pattern that emerges in hundreds of trial records is strikingly like that of the discredited stereotype: eighty.